Archive for the ‘Movies’ Category

John Brockman interviewed by Kim Hill

August 2, 2006

Radio New Zealand – Saturday, 15 July:

9.05am Interview: John Brockman Literary agent and founder of online salon The Edge Foundation (www.edge.org) to bring together people working at the edge of a broad range of scientific and technical fields. He is the editor of: ‘What We Believe But Cannot Prove: Today’s Leading Thinkers on Science in the Age of Certainty’ (ISBN 0060841818), ‘Curious Minds: How a Child Becomes a Scientist’ (ISBN 0-375-42291-9), and many other books.

I don’t know how long the podcast will be up there for. Forever I hope, but I listened to it later via mp3 player – which is agreat thing to be able to do! I found it interesting, always one to enjoy the reminiscences of a boomer in the 60’s.  Disturbing too… such interesting people and stories and ideas but with is a strange scientism in the mix, he sides with Dawkins not Gould, there is a glowing link to Denis Dutton at the end, who maligns psychotherapy with his zealous cult like devotion to skepticism.

More on Brockman here by Bruce Stirling (Interesting that I just said he is interesting):

Wired 7.09: Agent Provocateur:

“You’re not interesting?” “Not not-interesting!” he snaps. “Post-interesting! Interesting doesn’t pay. Well, it pays once, but not twice. I used to be interesting. I was, like, the It Boy. Being so interesting – well, it’s not so interesting.”

Then and Now:

    Brockman

LTLYM

April 26, 2006

Learning To Love You More

Miranda July – the maker of You & me etc is involved in this rather wonderful web project.  I also have a link to DVD radio where she was interviewed in a podcast.

More about V & Anarchy.

April 19, 2006

aforanarchy.com

decare

I don't have an attraction to anarchy but I do like the philosophy of anarchy to be presented accurately. This website is a good resource, and follows on well form the thinking out loud I have been doing here on the book & the movie. The image here contrasts with the end of the movie, where masses of masked people arise to challenge the state, not such a bad shift.

Anyway, an interesting way to do armchair politics.

Lots

April 19, 2006

Lots of tabs open of Firefox, this one, the origins of the current layout for this blog:  Kubrick at Binary Bonsai is here cause I’m looking for a way of making the font abit smaller. But I think I need to be off the hosted WordPress site to do that. This one  http://film.guardian.co.uk because it was linked to from the Kubrick theme page. While on the subject of Kubrick, we saw “Eyes Wide Shut” the other day, a friend recommended it for its “Jungian” aspect. Makes sense, the two protagonists are exploring a similar synchronous path, one in RL and the other in dreams.

Stanley Kubrick

The Kubrick Site & IMDB  More Kubrick, and we did more too, got out Paths Of Glory, but did not really like it much. Got that from here: Movieshack – Library

Only on Tab one of about 25!  The next:  Abit of vanity:  Looking for the oldest entry with my name in it and found one from February 1994 and more vanity, embarrasing:  1998 Psybernet Web page

Later… never did get to blog the other tabs… nevermind.

More Moore

April 10, 2006

MTV.com

There are layers & layers of interconnection, which is one of the themes of the book / film and there is no shortage of this complexity in all the background drama & the characters, who are as engrossing as the art.

I have a theory, which has not let me down so far, that there is an inverse relationship between imagination and money. Because the more money and technology that is available to [create] a work, the less imagination there will be in it. My favorite films are those that were made on a shoestring. And they weren't adaptations of some other work, they were original pieces of cinema. All right, [Cocteau's] "La Belle Et La Bête" is an adaptation of "Beauty and the Beast" — but it was made into something very different. And I mean, John Waters, his early films, they're terrific! Because he was making them with some friends of his from Baltimore, with whatever cheap film stock he could borrow or steal. George Romero, in "Dawn of the Dead," "Day of the Dead," all the rest of them, he ingeniously used the fact that he had almost no budget to his advantage — claustrophobic sets, everyone's trapped in the cellar and the zombies are trying to dig their way in. Very inexpensive, incredibly powerful. That is where cinema really works for me.

Moore goes on to say exactly some of what I have in mind for my treatise on the difference between the movie & the film:

It's a thwarted and frustrated and perhaps largely impotent American liberal fantasy of someone with American liberal values [standing up] against a state run by neo-conservatives — which is not what "V for Vendetta" was about. It was about fascism, it was about anarchy, it was about [England].

Natalie Portman, V & the Moriori

April 10, 2006

Cinema Confidential News: 03/15/06

Good interview, there is so much to reflect on in this movie and portman does that: here is one example:

There was a book I read that we all ended up reading in the movie; “Cloud Atlas,” which was pretty formative to my ideas about violence because it has this story of the Moriori Tribe, which is this non-violent tribe in New Zealand. They thought that if you commit violence, your soul would become tainted and you would become outcasts in their society. When the Europeans came, they were violent and now the Morioris don’t exist.

I have just read the original Alan Moore & David Lloyd graphic novel V for Vendetta and seen the movie. I feel like writing a treatise on the difference between the two! I am OK with both but the differences were worthwhile, and make me respect the Wachowski Brothers all over again. The did it for me in Martrix and they lost it in II and III and have it back in V (ha). I can easily echo her closing remark:

I’m looking forward to talking to people who see this movie because it provokes strong reactions from someone, and different reactions, is so interesting; to see people’s different interpretations and reactions is so nice to hear.

Here is a backstory about Alan Moore & his distancing himself from the movie.

PS: I am following up on the Moriori!

Comics & Movies

March 5, 2006

It’s not always who draws wins – Saturday entertainment – Times Online

Looks interesting. To read.